All Items
27,408 items
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Title
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Images
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Item Comment
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Prefix
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Number
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In set
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Set
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Set Comment
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Type
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Artist
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Author
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Size
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Topics
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Set Covers
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Reference
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| 19941 |
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12 CHOICE REAL PHOTOGRAPH VIEWS, black and white photos with whited edge border, no numbers, titles along bottom, blank backs
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3.5 x 2.5 in.
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| 19942 |
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12 CHOICE REAL PHOTOGRAPH VIEWS, black and white photos with whited edge border, no numbers, titles along bottom, blank backs
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3.5 x 2.5 in.
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| 19943 |
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12 CHOICE REAL PHOTOGRAPH VIEWS, black and white photos with whited edge border, no numbers, titles along bottom, blank backs
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3.5 x 2.5 in.
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| 19944 |
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12 CHOICE REAL PHOTOGRAPH VIEWS, black and white photos with whited edge border, no numbers, titles along bottom, blank backs
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3.5 x 2.5 in.
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| 19945 |
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12 pages
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1818
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ELLEN WELBY ETC.
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JOHN M. NEALE
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4 x 4.75 in.
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| 19946 |
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WITH BEST WISHES FOR A MERRY CHRISTMAS AND A JOLLY CANTER THROUGH THE YEAR FROM____
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2392
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horse shoe with jockey portraits and triangular images, easel artistic series trademark to reverse
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16 x 10 cm.
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| 19947 |
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A plate published September 1st 1886 by Raphael Tuck & Sons, Fine Art Publishers 72, 73 Coleman St, City London and 298 Broadway, New York. Etching by S Myers from an original work by Constable. John Constable, RA (11 June 1776 – 31 March 1837) was an English landscape painter in the naturalistic tradition. Born in Suffolk, he is known principally for his landscape paintings of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".
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John Constable, etched by S.Myers
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19 x 24 cm, 7.5 x 9.5 in.
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| 19948 |
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A plate published September 1st 1886 by Raphael Tuck & Sons, Fine Art Publishers 72, 73 Coleman St, City London and 298 Broadway, New York. A boy has paused from the thirsty work of herding sheep at noon to lie flat on the bank of a pool and drink its cool water. This vision of a Suffolk/Essex lane in high summer was painted in January to March 1826 in Constable’s studio in London. The lane winding into the cornfield is based on Fen Lane, along which Constable had often walked as a boy from his own village of East Bergholt to Dedham, where he attended school. The lane still exists but the countryside shown beyond it was largely invented.
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John Constable, etched by S.Myers
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19 x 24 cm, 7.5 x 9.5 in.
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| 19949 |
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HAND PRINTED FACSIMILE
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JOHN HOPPNER
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| 19950 |
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1904, mounted on thick board, signed in pencil by artist, presented to the proprietor of 38 Baker Street,
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Scottish landscape painter born in 1837 and died in 1911
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JOHN MACWHIRTER
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44 x 50 cm
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| 19951 |
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has TO MY VALENTINE on her chest, back is blank
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characters with movable joints designed to alter body positions when the string is pulled, these come with and without Tuck markings or titles
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Frances Brundage
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8 x 14 1/2 in.
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| 19952 |
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boy in a red shirt and hat with a golf bag, he has green shorts and socks, no Tuck title or markings
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characters with movable joints designed to alter body positions when the string is pulled, these come with and without Tuck markings or titles
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Frances Brundage
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7 1/2 x 11 1/2 in.
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| 19953 |
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TO MY VALENTINE on his chest, back is blank
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characters with movable joints designed to alter body positions when the string is pulled, these come with and without Tuck markings or titles
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Frances Brundage
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11 x 12 in.
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| 19954 |
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TO MY VALENTINE on his chest, back is blank
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characters with movable joints designed to alter body positions when the string is pulled, these come with and without Tuck markings or titles
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Frances Brundage
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8 x 13 1/2 in.
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| 19955 |
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young boy with a football marked TO MY VALENTINE, he has a white uniform with orange and black stripes on his arms and legs,and seems afraid to catch the ball, back is blank
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characters with movable joints designed to alter body positions when the string is pulled, these come with and without Tuck markings or titles
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Frances Brundage
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9 x 13 in.
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| 19956 |
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marked on the reverse RAPHAEL TUCK & SONS, PUBLISHERS BY APPOINTMENT TO THEIR MAJESTIES THE KING AND QUEEN. PRINTED IN GERMANY
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characters with movable joints designed to alter body positions when the string is pulled, these come with and without Tuck markings or titles
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11 x 12 in.
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| 19957 |
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TO MY VALENTINE, identical to the brown bear entered in this same set but has a red Valentine heart on his chest, on reverse is a poem LET ME SHARE YOUR JOYS, MY SWEETHEART, YOU MUST KNOW THAT I ADORE YOU! IF OF SORROWS YOU HAVE ANY, PLEASE LET "TEDDY BEAR" THEM FOR YOU. marked on the reverse RAPHAEL TUCK & SONS, PUBLISHERS BY APPOINTMENT TO THEIR MAJESTIES THE KING AND QUEEN. PRINTED IN GERMANY
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characters with movable joints designed to alter body positions when the string is pulled, these come with and without Tuck markings or titles
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11 x 12 in.
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| 19958 |
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has TO MY VALENTINE on his chest, back is blank but does come with the Tuck trademark and BUSTER BROWN title
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characters with movable joints designed to alter body positions when the string is pulled, these come with and without Tuck markings or titles
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Frances Brundage
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10 x 13 in.
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| 19959 |
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back is blank
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characters with movable joints designed to alter body positions when the string is pulled, these come with and without Tuck markings or titles
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Frances Brundage
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9 1/2 x 13 in.
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| 19960 |
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has TO MY VALENTINE on her chest, marked on the back RAPHAEL TUCK & SONS LTD., PUBLISHERS BY APPOINTMENT TO THEIR MAJESTIES THE KING AND QUEEN. PRINTED IN GERMANY. FLUFFY RUFFLES. ORIGINAL DESIGN, COPYRIGHT, 1907 BY THE NEW YORK HERALD CO., ALL RIGHTS RESERVED. this copy is missing her feet
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characters with movable joints designed to alter body positions when the string is pulled, these come with and without Tuck markings or titles
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Frances Brundage
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9 1/2 x 12 in.
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